Unspeakable, the artist as witness to the Holocaust
Imperial War Museum

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Alicia Melamed Adams

'Painting provided the only solace I knew. It helped me heal my wounds.'

Alicia Melamed Adams
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Alicia Melamed Adams, Sorrow. This painting features a young woman sitting naked against a dark background of what appears to be bars or fencing. The young woman is curled up, with her knees folded and her arms crossed over her chest. Her hands envelop her sad, downturned face as she sits by herself.
Sorrow, 1965
oil, artist's collection
Alicia Melamed Adams, Two Frightened Children. This oil painting features two young children standing in the foreground and staring outwards towards the viewer. The young girl on the left stands expressionless, while a younger and smaller child clings to her arm, hiding slightly behind her. The background consists of a row of dark buildings from which thick black clouds of smoke bellow.
Two Frightened Children,
1965 oil, artist's collection
Alicia Melamed Adams, The Parting. A group of four figures stand huddled together against a white background. They are wrapped in dark clothing, their white, gaunt faces downturned. The two figures in the back appear older, wrapping their arms around the two young children who are huddled in front of them.
The Parting, 1965
oil, artist's collection
Alicia Melamed Adams, The Refugees. This painting features a group of ten people huddled together, all with sad and downturned faces, their heads covered with black garments. Also called 'The Mountain' by the artist Alicia Melamed Adams, the group resembles a rugged mountain of displaced people set against a grey sky.
The Refugees, 1965
oil, artist's collection
Alicia Melamed Adams The Flower Painter. This brightly coloured painting features a young woman pointing towards a vase of flowers in her studio. She sits in front of a window with three paintbrushes resting in her lap. Within the vase of flowers are forget-me-nots, poppies and other wildflowers. Sitting on the table next to her is a mug with a heart on it. A background of row houses and a church steeple can be seen through the window.
The Flower Painter, 1991
oil, artist's collection

Born in the resort town of Truskawiec, Poland, Alicia Melamed was just 13 when the Nazis arrived in the district. The Melameds moved to nearby Drohobycz, hoping for safety in this large town, but the treatment of Jews there was particularly vicious: within weeks her brother was taken away to a concentration camp.

Survival in Nazi-controlled Drohobycz required extraordinary resourcefulness and luck. For a while, the family survived by working for a German who ran a small camp where rags and iron were sorted and recycled. Then, in July 1943, they were arrested, sent to the local prison and a few days later taken away to be shot. Alicia was the sole survivor from her family – the son of a tailor working for the Gestapo was able to have her freed, and she became part of this 'privileged family', all of whom survived the Nazi regime.

In 1945, a three-week journey by cattle truck brought Alicia Melamed to Walbrzych in Poland, where she met her future husband, marrying him in Warsaw in 1946.

The couple arrived in London in 1950, and ten years later Alicia Melamed Adams enrolled at St Martin's School of Art. The London of the 1960s, with its miniskirts, parties and general exuberance, seemed bizarre to her. The young woman with a dark past began to paint.



Alicia Melamed Adams, Soul Survivor, The Art of a Holocaust Survivor (published by the artist)
 
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