Unspeakable, the artist as witness to the Holocaust
Imperial War Museum

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Edith Birkin (nee Hofmann)

'I evolved a pictorial language, that enabled me to put my visions on canvas. It wasn't so much cruelty or physical suffering that I wanted to record. Most of all, I wanted to show what it felt like to be a human being in the starved, emaciated, strange looking body, forever being separated from loved ones.'

Edith Birkin
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Edith Birkin, The Death Cart - Lodz Ghetto. Dark figures with emaciated, sullen faces are seen carrying bodies wrapped in white sheets to a horse-drawn cart in a city street. Other people look on from doorways and windows of the surrounding cityscape, their faces also skull-like in appearance. In the right foreground, two sombre faces stare outwards towards the viewer.
The Death Cart – Lodz Ghetto, 1980-1982
acrylic, Imperial War Museum
Edith Birkin, A Camp of Twins - Auschwitz. Endless rows of prisoners stand behind a barbed wire fence in a concentration camp. The prisoners all appear as if identical twins, each pair painted in the same hues and tones. These figures appear to be hairless men with gaunt, skull-like faces; they all stand, looking out of the camp beyond the fence that holds them in. The rows of prisoners extend into the distance and disappear into the horizon of camp huts beyond.
A Camp of Twins – Auschwitz, 1980-1982
acrylic, Imperial War Museum
Edith Birkin, The Last Gasp - Gas Chamber. Two women, rendered in an assortment of colours and in an abstract style, appear to be struggling to breathe with their mouths wide open. One lies on her back, gasping for air, while the other sits upright at her side, covering her own mouth with her hands.
The Last Gasp – Gas Chamber, 1980-1982
acrylic, Imperial War Museum

Edith Birkin (née Hofmann), born 13 November 1927 in Prague, was sent with her family to the Lodz ghetto, Nazi-occupied Poland, in 1941.

Her parents died in the ghetto within a year, and Edith was left on her own. With the Russian advance into Poland in 1944, the Lodz ghetto was liquidated and the remaining population sent to Auschwitz. On arrival there, Edith was selected for slave labour and sent to a camp in eastern Germany, where she worked in an underground munitions factory.

In January 1945, with the Russians now advancing into Germany, the slave labourers were sent on a death march across Germany to Bavaria, where they were loaded onto cattle trucks. After a week in crowded conditions, Edith arrived in Belsen on 15 March 1945 and was liberated a month later.

Edith returned to Prague only to find that none of her family and friends had survived. In 1946, she settled in England and became a teacher.

Immediately after her return to Prague, Edith had recorded what she had experienced and witnessed. After moving to England, she used this material to write a book but could not find a publisher, as there was no interest in her story directly after the war.



The Last Goodbye, Holocaust Paintings and Poems by Edith Hofmann, Able Publishing, 2007
Edith Hofmann, Unshed Tears: A Novel ...But Not A Fiction, Quill Press, 2001
 
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