Unspeakable, the artist as witness to the Holocaust
Imperial War Museum

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Eric Taylor

'I drew the dead and scarcely living people when Belsen concentration camp was overrun, and I witnessed at first hand all the other appalling horrors of war.'

Eric Taylor
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Eric Taylor, Liberated from Belsen Concentration Camp. This is a full-length watercolour portrait of a woman sitting on a wooden bench, hands folded in her lap. Her face is wan and her body so thin that she appears swamped in her clothes.
Liberated from Belsen
Concentration Camp
, 1945
watercolour,
Imperial War Museum
Eric Taylor, A Young Boy From Belsen Concentration Camp. This is a full-length watercolour portrait of a clothed, skeletal boy sitting on a stool against a grey background. His clothing does not cover his extremely thin arms and legs, which show that he suffers from starvation.
A Young Boy From Belsen
Concentration Camp
, 1945
watercolour,
Imperial War Museum
Eric Taylor, Dying from Starvation and Torture at Belsen Concentration Camp. This watercolour painting features a starving, skeletal, naked woman lying on a blanketed stretcher. The stretcher has been left on the ground, and the woman is lying on her back with her knees bent and her arms covering her chest.
Dying from Starvation and Torture at Belsen Concentration Camp, 1945
watercolour, Imperial War Museum

Eric Taylor was born in 1909 in London. He trained at the Royal College of Art and the Central School of Art, and at the outbreak of war he was already an established painter and printmaker. In 1939, he enlisted to serve with the Royal Artillery and the Royal Engineers.

He took part in the 1944 Normandy landings and crossed the Rhine into Germany. He was among the first liberators to arrive at Belsen. His drawings from 1944 and 1945 document the wreckage left behind by the war; these images of the aftermath of liberation culminated in the drawings he made at Belsen.

Taylor was one of several artists who saw the camp shortly after it was liberated. Human degradation on such a scale was difficult to portray, and the most potent images focus on single figures. In Liberated from Belsen Concentration Camp, Taylor captures the state of numbed emotion, common to so many survivors.

Eric Taylor died in 1999.

'I drew the dead and scarcely living people when Belsen concentration camp was overrun, and I witnessed at first hand all the other appalling horrors of war. To me, any attempt to explain in words the overall influence of this experience on my work appears to weaken what I endeavor to say in my painting or sculpture. It means so very much.'

Eric Taylor

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